We have a production meeting planned for next Wednesday, June 8th, to assemble the artistic staff together and prepare for auditions. I can't wait. That we have so many talented people on board still gives me the warmest of warm-fuzzies.
Our friend Allen Overlander is interested in doing the lighting design, and once he & Chad have a chance to meet & talk, that will most likely be locked in. Allen ran the light board for Leaving Neverland, our first full-length play that was done at Theatre Downtown in October 1999. He was also our beloved sound-cue-God during My Big Fat Gay Wedding. It was an hour-long show with 20 songs and sound cues... we knew that would be asking a lot from one of the Fringe techies, so we came with. I remember being so amused at a rehearsal during tech week when I realized he was lip-synching our songs as we performed. He heard them so damned much, how could he not know the words by heart?
Speaking of which, Steve, I am starting to work on the lyrics for the "Love Theme From Sons Of The Revolution" that we're going to surprise Chad with...
Our friend Allen Overlander is interested in doing the lighting design, and once he & Chad have a chance to meet & talk, that will most likely be locked in. Allen ran the light board for Leaving Neverland, our first full-length play that was done at Theatre Downtown in October 1999. He was also our beloved sound-cue-God during My Big Fat Gay Wedding. It was an hour-long show with 20 songs and sound cues... we knew that would be asking a lot from one of the Fringe techies, so we came with. I remember being so amused at a rehearsal during tech week when I realized he was lip-synching our songs as we performed. He heard them so damned much, how could he not know the words by heart?
Speaking of which, Steve, I am starting to work on the lyrics for the "Love Theme From Sons Of The Revolution" that we're going to surprise Chad with...
0 Comments:
Post a Comment
<< Home